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A Corpus of Rembrandt Paintings VI

Part of the Stichting Foundation Rembrandt Research Project Book Series (volume 6)

DOI: 10.1007/978-94-017-9240-0

ISBN: 978-94-017-9173-1

Publisher: Springer Netherlands - Springer Journals

Nov 4, 2014

1 - 10 of 10 Chapters

LitStream

What is a Rembrandt? A personal account

Van De Wetering, Ernst

Pages: 1 –53

[In 1916 the wealthy, American railway magnate and art collector Henry Clay Frick (1849-1919) bought a Rembrandt titled Old woman with a book (fig. 1). In 1898 the painting had been shown in Amsterdam at the first ever major Rembrandt exhibition. It was hardly suprising therefore that Frick (fig....
LitStream

What is a non-Rembrandt?

Van De Wetering, Ernst

Pages: 55 –60

[While Rembrandt is generally considered to be a unique artist, the exceptional nature of his work has been questioned by occasional public annoucements of problems of attribution, usually treated sensationally by the press and whenever possible hyped to the level of a scandal. One thinks, for...
LitStream

Introduction to the catalogue

Van De Wetering, Ernst

Pages: 63 –66

[The main part of this book is largely given over to an illustrated survey of all the paintings this author considers to be works by Rembrandt, whether or not they include contributions by other hands from the workshop. After the Plates (pp. 70-477) follow the Notes to the Plates (pp. 480-687).]
LitStream

The Leiden Period (1624-1631). Rembrandt's research of the gronden

Van De Wetering, Ernst

Pages: 68 –117

[Rembrandt van Rijn was born in Leiden in 1606 of parents whose roots were also in Leiden. He attended the city's Latin School up to the age of about 14, but according to his first biographer, the Leiden burgomaster Jan Jansz. Orlers, he left prematurely because 'by nature he was moved toward the...
LitStream

The first Amsterdam period (1631-1635), Rembrandt working with and for Hendrick Uylenburgh

Van De Wetering, Ernst

Pages: 118 –219

[Rembrandt was already an independent master in Leiden, but that didn't mean that he could automatically assert himself as a master in Amsterdam, at that time Holland's rapidly expanding metropolis. Although the guild regulations from Amsterdam have not been preserved, we know from those of...
LitStream

The second Amsterdam period (1635-1642). From leaving Uylenburgh to the completion of the Night Watch

Van De Wetering, Ernst

Pages: 220 –295

[The way the project of the large etched Passion series 107-114 (see also p. 179) petered out prematurely leads one to suspect that Rembrandt's collaboration with Uylenburgh was no longer running smoothly. At the final count, the project had delivered only two prints while most of the sketches...
LitStream

The third Amsterdam period (1643-1650); the turbulent 1640s

Van De Wetering, Ernst

Pages: 296 –339

[Events following the completion of the Night Watch in 1642 as alleged in the Rembrandt literature of the late 19th and early 20th century were central to the growth of a Rembrandt myth. Part of the myth was that the Night Watch was not appreciated by those who had commissioned it and that this...
LitStream

The 'late Rembrandt', first phase (1651-1659)

Van De Wetering, Ernst

Pages: 340 –409

[Between 1647 and 1650 Rembrandt's activity as a painter had almost come to a standstill. In 1647 he worked on three paintings 213, 214, 215; in 1648 on only two 216 and 218; from 1649 not a single painting is known, while in c. 1650 he finished just one 219.]
LitStream

The 'late Rembrandt', second phase (1660-1669)

Van De Wetering, Ernst

Pages: 410 –477

[When one surveys Rembrandt's painted oeuvre from the 1660s one gets a clear impression that his work after the bankruptcy and up to his death must still have been much in demand by well-to-do art-lovers. Yet this is in apparent contradiction with the fact that in his domestic circle he developed...
LitStream

Notes to the plates

Van De Wetering, Ernst

Pages: 480 –687

[The scene depicted is decribed almost identically in all four Gospels of the New Testament (Matthew 21: 12-13; Mark 11: 15; Luke 19: 45; John 2: 13-17). The most detailed account is that found in John 2: 13-16 'Now the Passover of the Jews was at hand, and jesus went up to Jerusalem. And He...

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